Trackable PiP
Designate and track up to four sections of your frame to be turned into customizable Picture-in-Picture overlays.
Compatibility
Trackable PiP is compatible with Final Cut Pro, Motion, Premiere Pro and After Effects.
Trackable PiP is compatible with Final Cut Pro, Motion, Premiere Pro and After Effects.
Presets contain a snapshot of your effect configuration. 17 built-in presets are available.
When you save parameter configuration to a file on disk, this file can later be loaded to recreate the same effect configuration. Presets generated in one video application can be used by the same plug-in running in a different video application.
Working with the Presets MenuOn by default.
The following options are available:
Lets you track up to 4 objects in your video. To learn more about object tracking:
Object TrackerThe following options are available:
Controls the scale of the picture-in-picture, relative to the entire frame.
Controls the aspect ratio of the picture-in-picture shape, to stretch it horizontally or vertically.
The following options are available:
Allows you to load a graphics file to be used as a custom shape. Make sure the file is a black and white image. White pixels define the shape. Black pixels define the background.
When using a custom graphic, it is not possible to assign a border to the shape.
Enable this parameter to add a drop shadow to the output.
The Shadow Color, Shadow Radius, Shadow Offset X/Y parameters let you specify the appearance and location of the shadow, relative to the elements that cast the shadow. These parameters are not available when Drop Shadow is off.
Build In/Out lets you enable and control animation progress.
When the animation is Off, no transition into or out of the effect occurs.
When the effect is set to build in and out by Trimming, the following parameters are displayed:
The Trim slider defines a range where the effect has been fully built. Any time outside this range is spent building the animation in or out. For example, if the Trim range is set between 20% and 80%, the effect builds in from the start of the clip up to 20% of its duration. The effects builds out from 80% to the end of the clip. If the clip were 5 seconds long, the build in and out animations last 1 second each.
When the effect is set to build in and out through a Duration, the following parameters are displayed:
The Build In (secs) and Build Out (secs) give you an exact way to decide how long each animation should last. Should your selection not be applicable to the current clip, a warning will appear in the output. For example, if your clip lasts only 3 seconds, it would be impossible to have the build in and out animations both last 2 seconds each (as the total would be 4 seconds).
When the effect is set to build in and out through Keyframes, a single parameter is displayed:
The Build In (Easing) and Build Out (Easing) parameters let you choose the animation curve when animating by Trimming the clip or by specifying a Duration.
The Progress parameter gives complete control over the animation to you. You will need to keyframe the Progress parameter using features of the video app.
Turn this parameter on to animate the Scale of the corresponding object.
Turn this parameter on to animate the Angle of the corresponding object.
Turn this parameter on to animate the Border Width of the corresponding object.
Turn this parameter on to animate the Border Color of the corresponding object.
Turn this parameter on to animate the Shadow Radius of the corresponding object.
Turn this parameter on to animate the Shadow Color of the corresponding object.
A number that controls random aspects of the effect.
Click the button to assign a new seed value. When the seed value is changed, the effect uses a different random sequence to produce a different output.
Enables motion blur at different quality settings. The higher the quality, the more samples are used. Multiple samples are blended together to produce a single frame of output.
The Shutter Angle slider controls the size (aperture) of the shutter used to simulate motion blur. The size of the shutter determines how long light is allowed to pass through the lens. The angle is set to 180° by default. A shutter angle of 360° means that samples are collected for the entire duration of the frame.
Setting a value of zero means that you want the shutter to collect light only once, which is equivalent to turning motion blur off.
The Shutter Offset slider controls the moment in time when the shutter opens and closes, relative to the duration of the frame. The offset is set to 0 by default. An offset of zero means the shutter is perfectly centered over the moment in time when the frame occurs. The shutter is therefore open an equal amount of time before and after the current frame occurs.
The Shutter Angle and Shutter Offset parameters are only available when motion blur is enabled.